SAG-AFTRA
AEA
Height: 5’9" Weight: 155lbs
Hair: Black Eyes: Brown
Television & Film
Dr. Death (Filming)
Peacock
Recurring
Dir: Maggie Kiley
Jennifer Morrison
The Good Lord Bird
Showtime
Regular
Dir: Albert Hughes
Kevin Hooks
Michael Nankin
Kate Woods
Darnell Martin
Haifaa al-Mansour
Masters of Doom (Pilot)
USA
Recurring
Dir: Rhys Thomas
Madam Secretary
CBS
Guest Star
Dir: Sam Hoffman
Elementary
CBS
Guest Star
Dir: Guy Ferland
Blindspot
NBC
Guest Star
Dir: Martha Mitchell
The Path
Hulu
Guest Star
Dir: Norberto Barba
Happyish
Showtime
Recurring
Dir: Ken Kwapis/Gail Mancuso
The Good Wife
CBS
Guest Star
Dir: Brooke Kennedy
Law & Order: SVU
NBC
Guest star
Dir: Nick Gomez
Black Jack (Pilot)
Comedy Central
Regular
Dir: David Gordon Green
Over/Under
USA
Supporting
Dir: Bronwen Hughes
Law & Order
NBC
Co-star
Dir: Jim McKay
Windows on the World
Upcal Entertainment
Supporting
Dir: Michael D. Olmos
Trouble
Slendro Media
Supporting
Dir: Theresa Rebeck
James White
BorderLine Films
Featured
Dir: Josh Mond
SWEEP
2.35 Films
Supporting
Dir: Spencer Gillis
Theatre
Much Ado About Nothing
Don John
The Public (Delacorte)
Dir: Kenny Leon
Tiny Beautiful Things
Reader
The Public
Dir: Thomas Kail
Sojourners
Ukpong
New York Theater Workshop/The Playwrights Realm
Dir: Ed Sylvanus Iskandar
Imogen Says Nothing
Henry Condell
Yale Repertory
Dir: Laurie Woolery
Every Angel is Brutal
Gerald
Clubbed Thumb
Dir: Knud Adams
A Beautiful Day in November…
@
The Womens Project/New Georges
Dir: Lee Sunday Evans
The Model Apartment
Neil
Primary Stages
Dir: Evan Cabnet
A Map of Virtue
Victor
13P
Dir: Ken Rus Schmoll
Angels in America
Belize
Signature Theatre Co.
Dir: Michael Greif
Wilder Gone
Streeter Henley
Clubbed Thumb
Dir: Margot Bordelon
Blue Door
Simon/Rex/Jesse
Seattle Repertory Theater
Dir: Leigh Silverman
A Fable
Jonny
Rattlestick Playwrights Theater
Dir: Daniel Talbott
A Raisin in the Sun
Joseph Asagai
Westport Playhouse
Dir: Phylicia Rashad
The Two Gentlemen of Verona
Valentine
The Old Globe
Dir: Mark Lamos
The Brother/Sister Plays
u/s
The Public
Dir: Tina Landau/RobertO’Hara
The Lion in Winter
Geoffrey
Two River Theater
Dir: Tyne Rafaeli
Nightlands
Mason
New Georges
Dir: Tamilla Woodard
The Breach
Severance
Seattle Repertory Theater
Dir: David Esbjornson
The Tempest
Ferdinand
Target Margin
Dir: David Herskovits
Romeo & Juliet
Benvolio
The Shakespeare Theatre
Dir: David Muse
The Really Big Once
TW/EK
The Ontological-Hysteric Theater
David Herskovits
Sense of an Ending
Paul
kef productions
Dir: Adam Fitzgerald
Summertime
Francois
Between Two Buroughs
Dir: Jenn Haltman
Commercial/V.O.
List Available On Request
Commercial Representation:
Don Buchwald - 212.634.8352
Training
New York University
Long Island School for the Arts
Professors: Louis Scheeder, Darci Picoult, Eliza Ventura, Alexandra Borrie, Alan Rust, Bert & Pat Michaels and Rob Kramer.
Special Skills
Dialects; Bilingual (Haitian Creole); Stage Combat; Improvisation; Sports; Soccer; Basketball; Football; Lead Guitar (By Ear); Licensed Driver; Passport.
AEA
Height: 5’9" Weight: 155lbs
Hair: Black Eyes: Brown
Television & Film
Dr. Death (Filming)
Peacock
Recurring
Dir: Maggie Kiley
Jennifer Morrison
The Good Lord Bird
Showtime
Regular
Dir: Albert Hughes
Kevin Hooks
Michael Nankin
Kate Woods
Darnell Martin
Haifaa al-Mansour
Masters of Doom (Pilot)
USA
Recurring
Dir: Rhys Thomas
Madam Secretary
CBS
Guest Star
Dir: Sam Hoffman
Elementary
CBS
Guest Star
Dir: Guy Ferland
Blindspot
NBC
Guest Star
Dir: Martha Mitchell
The Path
Hulu
Guest Star
Dir: Norberto Barba
Happyish
Showtime
Recurring
Dir: Ken Kwapis/Gail Mancuso
The Good Wife
CBS
Guest Star
Dir: Brooke Kennedy
Law & Order: SVU
NBC
Guest star
Dir: Nick Gomez
Black Jack (Pilot)
Comedy Central
Regular
Dir: David Gordon Green
Over/Under
USA
Supporting
Dir: Bronwen Hughes
Law & Order
NBC
Co-star
Dir: Jim McKay
Windows on the World
Upcal Entertainment
Supporting
Dir: Michael D. Olmos
Trouble
Slendro Media
Supporting
Dir: Theresa Rebeck
James White
BorderLine Films
Featured
Dir: Josh Mond
SWEEP
2.35 Films
Supporting
Dir: Spencer Gillis
Theatre
Much Ado About Nothing
Don John
The Public (Delacorte)
Dir: Kenny Leon
Tiny Beautiful Things
Reader
The Public
Dir: Thomas Kail
Sojourners
Ukpong
New York Theater Workshop/The Playwrights Realm
Dir: Ed Sylvanus Iskandar
Imogen Says Nothing
Henry Condell
Yale Repertory
Dir: Laurie Woolery
Every Angel is Brutal
Gerald
Clubbed Thumb
Dir: Knud Adams
A Beautiful Day in November…
@
The Womens Project/New Georges
Dir: Lee Sunday Evans
The Model Apartment
Neil
Primary Stages
Dir: Evan Cabnet
A Map of Virtue
Victor
13P
Dir: Ken Rus Schmoll
Angels in America
Belize
Signature Theatre Co.
Dir: Michael Greif
Wilder Gone
Streeter Henley
Clubbed Thumb
Dir: Margot Bordelon
Blue Door
Simon/Rex/Jesse
Seattle Repertory Theater
Dir: Leigh Silverman
A Fable
Jonny
Rattlestick Playwrights Theater
Dir: Daniel Talbott
A Raisin in the Sun
Joseph Asagai
Westport Playhouse
Dir: Phylicia Rashad
The Two Gentlemen of Verona
Valentine
The Old Globe
Dir: Mark Lamos
The Brother/Sister Plays
u/s
The Public
Dir: Tina Landau/RobertO’Hara
The Lion in Winter
Geoffrey
Two River Theater
Dir: Tyne Rafaeli
Nightlands
Mason
New Georges
Dir: Tamilla Woodard
The Breach
Severance
Seattle Repertory Theater
Dir: David Esbjornson
The Tempest
Ferdinand
Target Margin
Dir: David Herskovits
Romeo & Juliet
Benvolio
The Shakespeare Theatre
Dir: David Muse
The Really Big Once
TW/EK
The Ontological-Hysteric Theater
David Herskovits
Sense of an Ending
Paul
kef productions
Dir: Adam Fitzgerald
Summertime
Francois
Between Two Buroughs
Dir: Jenn Haltman
Commercial/V.O.
List Available On Request
Commercial Representation:
Don Buchwald - 212.634.8352
Training
New York University
Long Island School for the Arts
Professors: Louis Scheeder, Darci Picoult, Eliza Ventura, Alexandra Borrie, Alan Rust, Bert & Pat Michaels and Rob Kramer.
Special Skills
Dialects; Bilingual (Haitian Creole); Stage Combat; Improvisation; Sports; Soccer; Basketball; Football; Lead Guitar (By Ear); Licensed Driver; Passport.
| hubert_resume_buchwald_2019_c.docx |
Bio
Hubert’s stage work includes Much Ado About Nothing at the Delacorte Theatre and Tiny Beautiful Things (The Public, PBS Great Performances), Sojourners (New York Theater Workshop & The Playwrights Realm), The Model Apartment (Primary Stages), Angels in America (Signature Theatre), A Fable (Rattlestick Playwrights Theater), 365 Days/365 Plays and The Brother/Sister Plays u/s (Public Theater), Nightlands (New Georges) and the Obie-winning plays A Beautiful Day in November on the Banks of the Greatest of the Great Lakes (Women's Project/New Georges) and A Map of Virtue (13P). He has appeared in Wilder Gone, Every Angel is Brutal and The Gentleman Caller with Clubbed Thumb (Affiliated Artist); The Tempest, The Really Big Once and Dinner Party with Target Margin; Twelfth Night and Love’s Labor’s Lost with the NY Neo Classical Ensemble. Additional New York Credits include Sense of an Ending (kef Productions), Summertime (Between Two Boroughs), Take 10 (59 E59th Street), Foreplay, a one man show (Theater for the New City/Barrow Street), and the east coast premiere of Charles L. Mee’s A Perfect Wedding (NYU Graduate Acting Program). His regional theater credits include Imogen Says Nothing (Yale Repertory Theatre), The Lion in Winter (Two River Theater), The Two Gentleman of Verona (The Old Globe), A Raisin in the Sun (Westport Country Playhouse Directed by Phylicia Rashad), Romeo and Juliet (The Shakespeare Theatre Company), Blue Door and The Breach (Seattle Repertory Theater), American Buffalo (Wellfleet Harbor Actors Theater) and A Raisin in the Sun (Weston Playhouse). Hubert has developed plays with New Dramatists, The Lark, The Eugene O’Neill Theater Center, Sundance Theater Lab and New York Stage & Film. He has also been seen internationally in Blue Door (Harare International Festival of the Arts in Zimbabwe). His television credits include "The Good Lord Bird" (Showtime), "Masters of Doom" (USA Pilot), "Madam Secretary" (CBS), "Blindspot" (NBC), "Elementary" (CBS), "The Path" (Hulu), “Happyish” (Showtime), “The Good Wife” (CBS), “Law & Order” and “Law & Order: SVU” (NBC), “Over/Under” (USA), and “Black Jack” (Comedy Central Pilot). His film credits include "Windows on the World" (Upcal Entertainment), "James White" (BorderLine Films), "Trouble" by Theresa Rebeck and “SWEEP” (2.35 Films). He trained at NYU and is a YoungArts Awardee.
Hubert’s stage work includes Much Ado About Nothing at the Delacorte Theatre and Tiny Beautiful Things (The Public, PBS Great Performances), Sojourners (New York Theater Workshop & The Playwrights Realm), The Model Apartment (Primary Stages), Angels in America (Signature Theatre), A Fable (Rattlestick Playwrights Theater), 365 Days/365 Plays and The Brother/Sister Plays u/s (Public Theater), Nightlands (New Georges) and the Obie-winning plays A Beautiful Day in November on the Banks of the Greatest of the Great Lakes (Women's Project/New Georges) and A Map of Virtue (13P). He has appeared in Wilder Gone, Every Angel is Brutal and The Gentleman Caller with Clubbed Thumb (Affiliated Artist); The Tempest, The Really Big Once and Dinner Party with Target Margin; Twelfth Night and Love’s Labor’s Lost with the NY Neo Classical Ensemble. Additional New York Credits include Sense of an Ending (kef Productions), Summertime (Between Two Boroughs), Take 10 (59 E59th Street), Foreplay, a one man show (Theater for the New City/Barrow Street), and the east coast premiere of Charles L. Mee’s A Perfect Wedding (NYU Graduate Acting Program). His regional theater credits include Imogen Says Nothing (Yale Repertory Theatre), The Lion in Winter (Two River Theater), The Two Gentleman of Verona (The Old Globe), A Raisin in the Sun (Westport Country Playhouse Directed by Phylicia Rashad), Romeo and Juliet (The Shakespeare Theatre Company), Blue Door and The Breach (Seattle Repertory Theater), American Buffalo (Wellfleet Harbor Actors Theater) and A Raisin in the Sun (Weston Playhouse). Hubert has developed plays with New Dramatists, The Lark, The Eugene O’Neill Theater Center, Sundance Theater Lab and New York Stage & Film. He has also been seen internationally in Blue Door (Harare International Festival of the Arts in Zimbabwe). His television credits include "The Good Lord Bird" (Showtime), "Masters of Doom" (USA Pilot), "Madam Secretary" (CBS), "Blindspot" (NBC), "Elementary" (CBS), "The Path" (Hulu), “Happyish” (Showtime), “The Good Wife” (CBS), “Law & Order” and “Law & Order: SVU” (NBC), “Over/Under” (USA), and “Black Jack” (Comedy Central Pilot). His film credits include "Windows on the World" (Upcal Entertainment), "James White" (BorderLine Films), "Trouble" by Theresa Rebeck and “SWEEP” (2.35 Films). He trained at NYU and is a YoungArts Awardee.
Awards
Lucille Lortel Awards:
Outstanding Revival of a Play Nomination
-The Model Apartment (Primary Stages)
Drama Desk Awards:
Outstanding Revival of a Play Nomination
-The Model Apartment (Primary Stages)
Nettie Awards:
Winner for Best Actor
-Foreplay (Theater for the New City/Barrow Street)