Hubert Point-Du Jour
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SAG-AFTRA

AEA


​Height: 5’9"   Weight: 155lbs
Hair: Black    Eyes: Brown

​
Television & Film

Dr. Death (Filming)
Peacock 
Recurring
Dir: Maggie Kiley
       Jennifer Morrison


The Good Lord Bird
Showtime
Regular
Dir: Albert Hughes
       Kevin Hooks
       Michael Nankin
       Kate Woods
       Darnell Martin
       Haifaa al-Mansour


Masters of Doom (Pilot)
USA
Recurring
Dir: Rhys Thomas

Madam Secretary 
CBS
Guest Star
Dir: Sam Hoffman

Elementary
CBS
Guest Star
Dir: Guy Ferland

Blindspot
NBC
Guest Star
Dir: Martha Mitchell

The Path

Hulu
Guest Star

Dir: Norberto Barba

Happyish
Showtime
Recurring

Dir: Ken Kwapis/Gail Mancuso

The Good Wife
CBS
Guest Star

Dir: Brooke Kennedy

Law & Order: SVU
NBC

Guest star
Dir: Nick Gomez

Black Jack (Pilot)

Comedy Central 
Regular

Dir: David Gordon Green

Over/Under
USA
Supporting
Dir: Bronwen Hughes

Law & Order
NBC

Co-star
Dir: Jim McKay

​Windows on the World
Upcal Entertainment
Supporting
Dir: Michael D. Olmos

Trouble
Slendro Media

Supporting
Dir: Theresa Rebeck

James White
BorderLine Films
Featured
Dir: Josh Mond


SWEEP
2.35 Films

Supporting
Dir: Spencer Gillis


Theatre

Much Ado About Nothing 
Don John
The Public (Delacorte)
Dir: Kenny Leon

Tiny Beautiful Things
Reader
The Public
Dir: Thomas Kail

Sojourners
Ukpong

New York Theater Workshop/The Playwrights Realm
Dir: Ed Sylvanus Iskandar

Imogen Says Nothing
Henry Condell
Yale Repertory

Dir: Laurie Woolery

Every Angel is Brutal
Gerald

Clubbed Thumb
Dir: Knud Adams

A Beautiful Day in November…
@

The Womens Project/New Georges
Dir: Lee Sunday Evans

The Model Apartment
Neil
Primary Stages

Dir: Evan Cabnet

A Map of Virtue
Victor
13P

Dir: Ken Rus Schmoll

Angels in America 
Belize
Signature Theatre Co.

Dir: Michael Greif

Wilder Gone
Streeter Henley
Clubbed Thumb
Dir: Margot Bordelon

Blue Door
Simon/Rex/Jesse
Seattle Repertory Theater

Dir: Leigh Silverman

A Fable
Jonny
Rattlestick Playwrights Theater

Dir: Daniel Talbott

A Raisin in the Sun
Joseph Asagai
Westport Playhouse

Dir: Phylicia Rashad

The Two Gentlemen of Verona
Valentine
The Old Globe

Dir: Mark Lamos

The Brother/Sister Plays
u/s

The Public
Dir: Tina Landau/RobertO’Hara

The Lion in Winter
Geoffrey
Two River Theater
Dir: Tyne Rafaeli

Nightlands
Mason
New Georges

Dir: Tamilla Woodard

The Breach
Severance
Seattle Repertory Theater

Dir: David Esbjornson

The Tempest
Ferdinand
Target Margin

Dir: David Herskovits

Romeo & Juliet 
Benvolio
The Shakespeare Theatre

Dir: David Muse

The Really Big Once
TW/EK
The Ontological-Hysteric Theater
David Herskovits 

Sense of an Ending
Paul
kef productions

Dir: Adam Fitzgerald

Summertime
Francois
Between Two Buroughs

Dir: Jenn Haltman

Commercial/V.O.
List Available On Request

Commercial Representation:
Don Buchwald - 212.634.8352

Training

New York University
Long Island School for the Arts

Professors: Louis Scheeder, Darci Picoult, Eliza Ventura, Alexandra Borrie, Alan Rust, Bert & Pat Michaels and Rob Kramer.

Special Skills

Dialects; Bilingual (Haitian Creole); Stage Combat; Improvisation; Sports; Soccer; Basketball; Football; Lead Guitar (By Ear); Licensed Driver; Passport.
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Bio

Hubert’s stage work includes Much Ado About Nothing at the Delacorte Theatre and Tiny Beautiful Things (The Public, PBS Great Performances), Sojourners (New York Theater Workshop & The Playwrights Realm), The Model Apartment (Primary Stages), Angels in America (Signature Theatre), A Fable (Rattlestick Playwrights Theater), 365 Days/365 Plays and The Brother/Sister Plays u/s (Public Theater), Nightlands (New Georges) and the Obie-winning plays A Beautiful Day in November on the Banks of the Greatest of the Great Lakes (Women's Project/New Georges) and A Map of Virtue (13P). He has appeared in Wilder Gone, Every Angel is Brutal and The Gentleman Caller with Clubbed Thumb (Affiliated Artist); The Tempest, The Really Big Once and Dinner Party with Target Margin; Twelfth Night and Love’s Labor’s Lost with the NY Neo Classical Ensemble. Additional New York Credits include Sense of an Ending (kef Productions), Summertime (Between Two Boroughs), Take 10 (59 E59th Street), Foreplay, a one man show (Theater for the New City/Barrow Street), and the east coast premiere of Charles L. Mee’s A Perfect Wedding (NYU Graduate Acting Program). His regional theater credits include Imogen Says Nothing (Yale Repertory Theatre), The Lion in Winter (Two River Theater), The Two Gentleman of Verona (The Old Globe), A Raisin in the Sun (Westport Country Playhouse Directed by Phylicia Rashad), Romeo and Juliet (The Shakespeare Theatre Company), Blue Door and The Breach (Seattle Repertory Theater), American Buffalo (Wellfleet Harbor Actors Theater) and A Raisin in the Sun (Weston Playhouse). Hubert has developed plays with New Dramatists, The Lark, The Eugene O’Neill Theater Center, Sundance Theater Lab and New York Stage & Film. He has also been seen internationally in Blue Door (Harare International Festival of the Arts in Zimbabwe). His television credits include "The Good Lord Bird" (Showtime), "Masters of Doom" (USA Pilot), "Madam Secretary" (CBS),  "Blindspot" (NBC), "Elementary"  (CBS), "The Path" (Hulu), “Happyish” (Showtime), “The Good Wife” (CBS), “Law & Order” and “Law & Order: SVU” (NBC), “Over/Under” (USA), and “Black Jack” (Comedy Central Pilot). His film credits include "Windows on the World" (Upcal Entertainment), "James White" (BorderLine Films), "Trouble" by Theresa Rebeck and  “SWEEP” (2.35 Films). He trained at NYU and is a YoungArts Awardee. 
​



​Awards

Lucille Lortel Awards:
Outstanding Revival of a Play Nomination 

-The Model Apartment (Primary Stages)

Drama Desk Awards:
Outstanding Revival of a Play Nomination 
-The Model Apartment (Primary Stages)

Nettie Awards: 
Winner for Best Actor  
-Foreplay (Theater for the New City/Barrow Street)
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